asquare

Exhibitions, publications, conferences, residencies, workshops and guest talks given over the years.

2025:

• 08/04/2025 – 10/04/2025, Compositions for the Infinite Scroll exhibited at Sense of Wonder, Faculty of Fine Arts, University of Porto.

• 01/02/2025 – 28/02/2025, Post-Photography Studies exhibited at WHERE is the photographic image?, Der Greif.

2024:

• 17/05/2024, How to do things with words and words with things: language as a strategy of transformation in artistic practice paper delivered at Non-Visual, Non-Tangible and Ephemerality in Contemporary Art Practice symposium, School of Cultural Technology, Xi’an Jiaotong-Liverpool University.

• 16/02/2024 – 29/03/2024, The Traveller exhibited at Gallery G0, Suzhou, China.

2023:

• Lynch IRL, G., 2023. A Framework of Networked Art as a Diagram that is an Image as a Map that is a Plan and that is a Space as a Territory. In: Anthony L. Brooks, ed. 2023. Creating Digitally – Shifting Boundaries: Arts and Technologies—Contemporary Applications and Concepts. Springer, pp. 59-78.

• 01/11/2023 – 01/12/2023, The Traveller exhibited at AI/AI, the Priestman Gallery, Sunderland, England and the Sunderland Pavilion of the Wrong Biennale.

2022:

• Lynch IRL, G., 2022. Pandemic performance: A Haunting of Haunts. Journal for Artistic Research, 27.

• Lynch IRL, G., 2022. What the heck? — hacking HEK. Performance Research, 27 (3-4).

• 26/06/2022, The ‘Virtual’ and the Networked as Site-Specific Space for Exhibition and Performance performance lecture at the Museum of Contemporary Digital Art’s (MocDA) Digital Summer Show 2022.

• 02/06/2022 – 25/06/2022, A Haunting of Haunts exhibited at the Digital Art in Ireland Exhibition.

2021:

• 01/11/2021 – 01/05/2022, I’m not Garrett Lynch IRL — DoppelGANger Portraits exhibited at Encounters with Incomprehension, part of The Wrong, a digital art biennale.

• 23/08/2021 – 31/08/2021, A Haunting of Haunts exhibited at Interstice, The Residency Project and MOTOR.

• 24/06/2021, DDALOS — Post-Human Creativity: The Use of AI in Art panel co-organized by the AI Center FEE CTU and Machine learning Meetups (MLMU). Video of panel online here.

• Lynch IRL, G., 2021. Flag for Imagined Space and The Distinction Between Here and There, Now and Then. In: Noemata, eds. 2021. Undocumented events and object permanence. Noemata.net, pp. 104-107.

2020:

• Lynch IRL, G., 2020. I’m Garrett Lynch (IRL). Scene, 8 (1-2).

• Lynch IRL, G., 2020. A Haunting of Haunts. In: A. P. Vague, eds. 2020. At a Distance #4. Kansas: Alastria Press, pp. 20-21.

• 01/09/2020, A Haunting of Haunts exhibited at At a Distance #4.

• 10/06/2020, Wasting Time on the Internet and Virtual to ‘Virtual’ exhibited at The Web Biennial — APEIRON.

2019:

• 01/11/2019 – 01/03/2020, Several works exhibited at The Burrow as a pavilion of The Wrong.

• 01/07/2019, What the heck? — hacking HEK exhibited at Networked Disruptions as part of the Finger Lakes Environmental Film Festival at Ithaca College, US.

• 12/03-9/06/2019, asquare.org exhibited in the Web Retro at the Seoul Museum of Art, Korea.

• 15/02-15/03/2019, ten works exhibited as part of Self as Actor : colonising identity at NeMe Arts Centre, Limassol in Cyprus.

• 19/02/2019, Guest lecture at the Eastern Mediterranean University in Famagusta, Cyprus in association with NeMe.

• 15/02/2019, Guest lecture at the Cyprus University of Technology in Limassol, Cyprus in association with NeMe.

• 13-24/02/2019, Best of Luck with the Wall (variant) exhibited at the Madatac X Madrid in Spain.

• 12/02/2019, Guest lecture at the University of Nicosia, Cyprus in association with NeMe.

• 15/02-15/03/2019, Ten artworks exhibited as part of Self as Actor: colonising identity at NeMe Arts Centre, Limassol in Cyprus.

• 06-20/02/2019, Artist-in-residence at NeMe, Limassol in Cyprus.

• Lynch, G., 2019. Exploring the networked image in ‘post’ art practices. Virtual Creativity, 8 (2).

2018:

• 05-09/12/2018, Wasting Time on the Internet and Best of Luck with the Wall (variant) exhibited at the Art & Technology Conference at Sogang University, Seoul in South Korea.

• 18/04-21/05/2018, Best of Luck with the Wall (variant) exhibited at European Media Art Festival (EMAF) in Osnabrück, Germany.

• 09-16/04/2018, A network of people who attended an exhibition and contributed to the creation of this work exhibited at Galerie XY in Olomouc, Czech Republic.

• 09/03/2018, Popup exhibition at Open Signal in Portland, US. Curated by Peripheral Forms.

• 01/02/2018 – ongoing, Real Virtuality: The Networked Art of Garrett Lynch, a netrospective of works curated by Peripheral Forms.

• 01-28/02/2018, Artist in residence at Peripheral Forms.

• 08-11/02/2018, Sculptures for Distant Places exhibited at Filmwinter Festival for Expanded Media.

• 17/01/2018 – ongoing, Best of Luck with the Wall (variant) exhibited at Invisible Geographies as part of the Finger Lakes Environmental Film Festival at Ithaca College, US.

2017:

• 09/12/2017, Tran$actions exhibited as part of the Yami-Ichi, Tate St. Ives.

• Lynch, G., 2017. Auction Action — Commission an Artwork. In: M. Ghidini and R. Modrak, eds. 2017. #exstrange : a curatorial intervention on ebay. Michigan: Michigan Publishing, Maize Books, pp. 160-163.

• 25/08/17, Tran$actions exhibited as part of the exhibition The Recombinants.

• 23, 26-30/06/17, Transformations exhibition at Borough Road Gallery, London.

• 15/06/17, Best of Luck with the Wall (variant) exhibited as part of The Unstitute’s UN[dis]criminate.

• 01/06/17 – 30/06/17, Best of Luck with the Wall (variant) exhibited as part of Michael Demers’ maps-dna-and-spam.

• 06/04/17 – 02/07/17, Auction Action — Commission an Artwork exhibited as part of Unauthorized SFMOMA Show.

• 25/02/17 – 04/03/17, Auction Action — Commission an Artwork curated as part of #veryhardtofind by guest curator Gaia Tedone within the project #exstrange curated by Marialaura Ghidini and Rebekah Modrak.

• Lynch, G., 2017. HFT The Gardener: A Network of Financial Trading, Drugs and Botany published at Furtherfield.org.

2016:

• Lynch, G., 2016. On audience attitude in participative and interactive forms. In: InDialogue 2016 Symposium. Nottingham Contemporary and New Art Exchange, Nottingham, 2 December 2016.

• 15/10/16, A network of people who attended an exhibition and contributed to the creation of this work, exhibited at About the Risks and Dreams of Permeable Systems Kreuzberg Pavillon, Berlin.

• Lynch, G., 2016. Exploring the networked image in ‘post’ art practices. In: JMP-MeCCSA Practice Network Symposium – Post-Screen Cultures/Practices. London South Bank University, 10 Jun 2016.

• 01/06/16 – ongoing, A number of works past and present including: Tran$actions, Netscapes, Walking, not Running, and Getting Nowhere, Seeing the Seen, On Exactitude of Similitude and net.tv exhibited at Film Essay.

• 01/02/16 – ongoing, The Degree to which a Representation Resembles the Object it Represents is a Function of Resolution and Does not Bear on the Denotation of the Word exhibited at #performingself, Peripheralforms.

2015:

• 04/12/15, We Entomb Memoir exhibited at Photomediations Machine.

2014:

• 07/11/14 — 09/11/14, Three works, The Distinction Between Here and There, Now and Then, Sandwich Board and A network of people who attended an exhibition and contributed to the creation of this work, exhibited at Networked Bodies, Watermans, London.

• 20/08/14 — 01/09/14, A network of people who attended an exhibition and contributed to the creation of this work, exhibited as part of Out of Office at Colony 14 Festival, Cardigan, Wales.

• Lynch, G., 2014. Remote Encounters: a report about networking practitioners published at Digicult.it.

• 10/04/14 – 30/04/14, works from the Yoshikaze ‘Up-in-the-air’ Second Life Residency exhibited at The Augmented Plateau: Art and Virtual Worlds in HUMlab 2007-2013, HUMlabX, Umeå University, Sweden.

• 01/04/14 – 04/04/14, Netscapes exhibited at A-EYE: An exhibition of art and nature-inspired computation as part of the Artificial Intelligence and the Simulation of Behaviour (AISB) 50th annual convention at Goldsmiths, University of London.

• Liminalities, the journal of performance studies, issue 10.1, guest edited by Garrett Lynch (University of South Wales) and Rea Dennis (Deakin University). Contributions compiled from the outcomes of the international conference Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance.

2013:

• 30/04/13, Netscapes showcased at Digital Futures, V&A, London.

• 11/04/13 – 12/04/13, Remote Encounters: Connecting Bodies, Collapsing Spaces and Temporal Ubiquity in Networked Performance international conference with performance event organised and chaired by Garrett Lynch.

• Lynch, G., 2013. A Metaverse Art Residency: ‘Garrett Lynch Yoshikaze “Up-in-the-air” Second Life Residency’. Metaverse Creativity, 2 (2).

• 21/01/13 – 31/01/13, Permutation & Combination, a collaborative exhibition at Arcadecardiff, Cardiff, Wales.

• 10/01/13 – 13/01/13, Netscapes exhibited at 26th Filmwinter, Festival for Expanded Media, Stuttgart, Germany.

2011:

• 10/11/11 – 20/11/11, Netscapes exhibited at Notes on a New Nature, 319 Scholes, Brooklyn, New York.

• 14/09/11 – 30/09/11, Sandwich Board – Miniature Replicas exhibited as part of The Vending Machine, an installation of international artists at the 54th Venice Biennale.

• 14/07/11, Second Life work to date including the physical sandwich board performed/presented at Dorkbot Cardiff.

• 19/05/11 – 28/05/11, Second Life work including The Green Stage and the physical sandwich board exhibited/performed at The Wardrobe, Cardiff as part of DecemberLab’s Being exhibition.

• 25/02/11, Trav—erse performed at Furtherfield Gallery, London as part of the REFF – Remix the world! Reinvent reality! exhibition.

• 01/12/2010 to the 31/01/2011, artist in residence at Humlabs, Yoshikaze Up in the Air Residency in Second Life.

2010:

• Hendrickson, C., Iaconesi, S., Persico, O., Ruberti, F., Simeone, L., (2010) Trav—erse, REFF RomaEuropa FakeFactory. Rome: Derive Approdi (Video Network #1: Dialogues also included in online edition).

• There, Now exhibited at Push in Second Life from 11/08/10 – 30/09/10.

• I’m Garrett Lynch (IRL) screened at Global Container XII on the 26/08/10 at the Culture Factory Polymer, Ülase 16/Madara 22, Tallinn, Estonia.

• I’m Garrett Lynch (IRL) performed as part of 2010 Odyssey Performance Art Festival from the 31/07/10 until the 10/08/10 at Odyssey Art and Performance Simu in Second Life.

• I’m Garrett Lynch (IRL) performed as part of 44 Hours of Cornucopia Momentum by Bendix Freutel from the 28th – 30th May 2010 at Odyssey Art and Performance Simu in Second Life and simultaneously broadcast in Switzerland at the Kunst-Fenster Reigoldswil (Reigoldswil Art Window).

• Between Saying and Doing exhibited at Liminality: The Space Between Worlds at Antena in Chicago, America and at I Am Columbia Island in Second Life.

• Documentation video of Video Network #1: Dialogues exhibited at Dialogues: A Fake Romance at Elysium Artspace, Swansea, Wales.

2009:

• The Art of Networks and Networks as Art presented / performed at Networks, 12th Annual Subtle Technologies Festival (promo video) Toronto, Canada.

• Between Saying and Doing exhibited at “@”, Ars Virtua locations in RL (Southern California Institute of Architecture, Los Angeles, California, USA) and Second Life (Seventh Eye). 26/02/09 – 28/02/09.

  Between Saying and Doing exhibited as part of Globalscreen – Simulations at numerous locations from February 2009 until 2010.

2008:

• Between Saying and Doing exhibited at Devenir-Écran (Becoming Screen), Le Vigan, France and Videophile Festival, Brighton, England.

• Grimace exhibited at the Australian Digital Fringe Festival.

• Trav—erse performed at curated Open Ear, Cardiff event, ATRiuM, Cardiff School of Creative & Cultural Industries.

• Curated Open Ear, Cinema event and collaborated on Frédérique Santune’s performance, A.u.t.o.m.n.e. / Autumn : renew, Canterbury Christ Church University.

• CIII-Terminal (ed) (2008) Net Art : au-delà du navigateur… un monde d’objets (Net.art: beyond the browser to a world of things), pp 91-100, Terminal, Technologie de L’information, culture & société (Terminal, Information Technology, Culture & Society); Net Art, Technologie ou Création? (Net Art, Technology or Creation). Paris: Editions L’Harmattan.

• Carnet Dabord, a short film made in collaboration with Frédérique Santune exhibited at Globalscreen, Visual Sound exhibition, Athens, Greece.

2007:

• http://www.bannerart.org/, net.tv and System for Multiple Compositions on a Theme, exhibited at FILE 2007 Electronic Language International Festival.

• Trav—erse performed at curated Open Ear, Network event, Canterbury Christ Church University.

• RE:soundings (interference variant) performed at Open Ear, Interference event, Canterbury Christ Church University.

• RE:soundings performed at joint-curated Open Ear Snd:arc (Sound and Architecture) event, Canterbury Christ Church University.

• Perpetual Portrait, exhibited at Web Biennial (2007), Istanbul Contemporary Art Museum, Turkey (iS.CaM).

• Carnet Dabord, a short film made in collaboration with Frédérique Santune exhibited at Globalscreen, Visual Sound exhibitions in Poland, Senegal, Korea, Italy, Germany and Greece.

2006:

• System for Multiple Compositions on a Theme and Things to Forget, exhibited at The First Independent Free Internet Art Gallery, Italy.

• Carnet Dabord, a short film made in collaboration with Frédérique Santune exhibited at the festival Traverse Vidéo: L’état du Monde, Toulouse, France and at Globalscreen, Visual Sound exhibition, Ljubljana, Slovenia.

2005:

• Live Feed residency, part of DIY 3:2005, an initiative of the Live Art Advisory Network – Artsadmin, the Live Art Development Agency and New Work Network. Performance work and documentation here.

• 06:32:00 Recombined exhibited at Videoformes Festival international d’arts vidéo et multimedia, Clermont-Ferrand, France.

• Google and Art: A commercial / cultural new media economy, ISEA, Inter-Society for the Electronic Arts newsletter #99 February – March [online].

2004:

• Perpetual Portrait exhibited at Renewal 1868/2004, Sidney Cooper Gallery, Canterbury, England.

• Net Art Review [online]. Various articles available from: http://www.netartreview.net/.

• _pause p170-171, Jouable; Art, Jeu et Interactivité (Playable; Art Games and Interactivity), Haute école d’arts appliqués HES, Genève, École nationale supérieure des arts décoratifs, Paris, Ciren Université Paris 8, Centre pour l’image contemporaine, Saint-Gervais Genève (ISBN: 2839900181).

• http://www.bannerart.org/, p186. Greene, R. Internet Art (World of Art Series), Thames and Hudson Ltd. (ISBN: 0500203768).

2003:

• Participation in the New Forms Festival, Vancouver, Canada.

• http://www.bannerart.org/ exhibited at >Chiang Mai New Media Art Festival, Chiang Mai, China and Total Überzogen, Edith Russ Site for Media Art, Oldenburg, Germany.

• _pause nominated as part of the 16th Filmwinter Festival for Expanded Media, Stuttgart, Germany.

• http://www.bannerart.org/ exhibited online at The 2003 Net Art Open, first net.art exhibition at IMMA (Irish Museum of Modern Art).

2002:

• _pause exhibited at the Jouable; Art, Jeu et Interactivité (Playable; Art Games and Interactivity) 01 exhibition, Geneva, Switzerland (publication of the same name) and at the Reload exhibition, Istanbul Museum of Contempory Art.

• Designer, programmer and joint-curator at http://www.bannerart.org/.

• The irrepairable damage of self-realisation communicated to another exhibited online at the Digitalpocketgallery net.art exhibition.

• Included on the Idealine, project commissioned by Whitney Artport.

2001:

• _pause exhibited online at rhizome.org and included in Publication without name, a limited edition art cd-rom.

• Julies Journey exhibited at Videoformes Festival international d’arts vidéo et multimedia, Clermont Ferrand, France.

• For those who fear intimacy / for those who fear loneliness exhibited at the Post-diplöme (Masters) Atelier de Recherche Interactive, Ecole Nationale Supérieure Arts Décoratifs (ENSAD), Paris, France, presented at Gallery Eof, Paris, France and exhibited online as part of A-virtual-memorial online exhibition.

2000:

• Co-curation of E-Motion exhibition, Gallery St Eustache, Paris.

• Artificial Architure, Experimental cd-rom on the Architectural work of Luc Boulais exhibited at the Ecole Nationale Travaux Public et Architecture (ENTPA), Lyon, France.

• E-Cons, Social guides to digital life exhibited and distributed as pdf format through pdfheaven.com.

• Julies Journey exhibited at Beyond the Screen part of Isea 2000 at the Ecole Nationale des Beaux Arts, Paris.

1998:

• Installation, Sound performance at the University of Central England (UCE), Margaret Street in Birmingham.

• Margins, collective exhibition of work at Paperchase Covent Garden London.