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Compositions for the Infinite Scroll will be exhibited as part of Sense of Wonder, the Processing Community Day 2025 at the Faculty of Fine Arts, University of Porto. The exhibition opens on the 10th of April.

Post-Photography Studies has been selected as part of Der Greif’s monthly online exhibition Guest Room curated by Joanna Zylinska and Yanai Toister.

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I have an installation titled The Traveller at Gallery G⁰ at the School of Cultural Technology, Suzhou, China that runs until March 29th. Drop by and enroll at the same time!

I have a chapter in Creating Digitally – Shifting Boundaries: Arts and Technologies?Contemporary Applications and Concepts by Anthony L. Brooks (ed.) titled A Framework of Networked Art as a Diagram that is an Image as a Map that is a Plan and that is a Space as a Territory. Go buy it – it’s good.

I will be exhibiting new work titled, The Traveller, at AI/AI, the Priestman Gallery, Sunderland, England, SR1 3PZ, the Sunderland Pavilion of the Wrong Biennale, from the 01st November – 1st December 2023. Drop by.

Issue 27 of the Journal for Artistic Research is out and features an article of mine called Pandemic performance: A Haunting of Haunts.

I will be exhibiting A Haunting of Haunts at the Digital Art in Ireland Exhibition, part of the Digital Art in Ireland Symposium, from the 02/06/2022 – 25/06/2022. Do come along if you are in Cork.

I am exhibiting I’m not Garrett Lynch IRL — DoppelGANger Portraits at Encounters with Incomprehension as part of The Wrong, a digital art biennale, curated by Justice Hager from the 01/11/2021 – 1/03/2022. The ‘pavillion’ can be accessed here: https://linktr.ee/encounter_incomprehension.